Sacha Wall started out as a Page 3 Girl, then spent 30 years in the music industry. She is a Lightworker thrown into the darkness to spread light from within.
I really really loved this interview Sacha is one who I will definitely follow and will love listening to her radio show. She is so talented and down to earth. Thank you Mark for interviewing her as I’ve never known about her 💚🙏
ARKHEIM RA: "People think that they're just being creative and making a cool music video and it's like, no, they're showing me something. A good example of that would be “Larger than Life” by the Backstreet Boys, which is basically a song that's about how giving musicians attention gives them occult power over you, and how that makes you larger than life, or whatever. The music video for that is very obviously showing imagery that is from space and, you know, super-soldier shoots, stuff like that. And then there's Katy Perry. She's got a music video (Never Really Over) showing her in an MK Ultra facility and leaving as, like, a monarch butterfly." (Complete with the white van)
39:00 ARKHEIM RA: There's also something I should mention . . . I'm not gonna name names here, and this is some dark content, so this is a warning. But even at the recording studio at Centurion, when I would make my songs, we were doing rituals and gathering loosh. We're doing the same [ thing ], doing the same [ thing ]: we're hurting people to make the music.
But the thing is, I remember this particular woman who— she did the ritual. And what it was is, like, you'd go into a room and there was the altar with the woman laying naked on the altar. And there was three guys to the right, three guys to the left, and a guy in the middle, and they're all wearing masks . . .
And so, I couldn't see who they were, and they were wearing black robes with the hoods and everything. And I'd go in there, and the guy in the middle would have a have a chalice of blood, and he would drink some of the blood, and then he passed it around: we'd all drink it. And then basically the woman would get [ __ ].
But the thing is— it sounds [ fouled] up, but the woman I remember, she was honored to be a part of the ritual, and it was like she was a part of the little cult, too. Maybe not all of the women, but the one that I have the clearest memory of, that she wanted to be there. And maybe this is screen memory or something, but I really don't think it was. I think that she was willingly participating in it.
And anyway, what happened is, when you [ __ ] her, they would— they would— when she climaxed, they would kill her: that was part of the ritual. And then they'd gather— that was then gathering the loosh from that, or whatever. And somehow I think the blood that you drank at the beginning of the ritual came from the woman. And I feel like you'd cut their neck and drink the blood again, or something like that.
Obviously it's a really gory memory; it's not one that I like to sit in very long and look at, but it did come back to me. And that's essentially the rituals. And yeah, we gathered the energy from that. And the idea was you take that energy that you took from that person, that moment, and you go in there and you put it into the next song. that psychic energy.
And yeah, there's super-duper heavy-duty black magic going on in the music industry, and it's becoming more and more obvious, the more people actually are willing to look at it.
[Read Preston Nichols's book, The Music of Time (Sky Books, 2000), for the history of imprinting messages or psychic energy on master recordings, and how radio stations were reconfigured so that the radio transmissions would carry that energy.]
I really really loved this interview Sacha is one who I will definitely follow and will love listening to her radio show. She is so talented and down to earth. Thank you Mark for interviewing her as I’ve never known about her 💚🙏
ARKHEIM RA: "People think that they're just being creative and making a cool music video and it's like, no, they're showing me something. A good example of that would be “Larger than Life” by the Backstreet Boys, which is basically a song that's about how giving musicians attention gives them occult power over you, and how that makes you larger than life, or whatever. The music video for that is very obviously showing imagery that is from space and, you know, super-soldier shoots, stuff like that. And then there's Katy Perry. She's got a music video (Never Really Over) showing her in an MK Ultra facility and leaving as, like, a monarch butterfly." (Complete with the white van)
Interview of Arkheim: https://youtu.be/FuxioGJd090?si=W2N_R09LFScy6jeQ
39:00 ARKHEIM RA: There's also something I should mention . . . I'm not gonna name names here, and this is some dark content, so this is a warning. But even at the recording studio at Centurion, when I would make my songs, we were doing rituals and gathering loosh. We're doing the same [ thing ], doing the same [ thing ]: we're hurting people to make the music.
But the thing is, I remember this particular woman who— she did the ritual. And what it was is, like, you'd go into a room and there was the altar with the woman laying naked on the altar. And there was three guys to the right, three guys to the left, and a guy in the middle, and they're all wearing masks . . .
And so, I couldn't see who they were, and they were wearing black robes with the hoods and everything. And I'd go in there, and the guy in the middle would have a have a chalice of blood, and he would drink some of the blood, and then he passed it around: we'd all drink it. And then basically the woman would get [ __ ].
But the thing is— it sounds [ fouled] up, but the woman I remember, she was honored to be a part of the ritual, and it was like she was a part of the little cult, too. Maybe not all of the women, but the one that I have the clearest memory of, that she wanted to be there. And maybe this is screen memory or something, but I really don't think it was. I think that she was willingly participating in it.
And anyway, what happened is, when you [ __ ] her, they would— they would— when she climaxed, they would kill her: that was part of the ritual. And then they'd gather— that was then gathering the loosh from that, or whatever. And somehow I think the blood that you drank at the beginning of the ritual came from the woman. And I feel like you'd cut their neck and drink the blood again, or something like that.
Obviously it's a really gory memory; it's not one that I like to sit in very long and look at, but it did come back to me. And that's essentially the rituals. And yeah, we gathered the energy from that. And the idea was you take that energy that you took from that person, that moment, and you go in there and you put it into the next song. that psychic energy.
And yeah, there's super-duper heavy-duty black magic going on in the music industry, and it's becoming more and more obvious, the more people actually are willing to look at it.
https://youtu.be/FuxioGJd090?si=W2N_R09LFScy6jeQ
[Read Preston Nichols's book, The Music of Time (Sky Books, 2000), for the history of imprinting messages or psychic energy on master recordings, and how radio stations were reconfigured so that the radio transmissions would carry that energy.]
What about the movie Eyes wide shut with Tom Cruise and Nicole Kidman. What about Bob Dylan who claimed he sold his soul to Satan for fame.
And the fisherman?
gets to move to another swim?
The prey and the predator continue their moves and no one realises that the fisherman has moved
This time of clearing is to solely clear the decks for the next time frame
All ready in play?
The fisherman always knows their pray and gets the next swim ready for baiting/poaching
As long as we continue to be emotionally invested in a narrative then ,??
We continue to play their? game.
(Our Attention?)
Predator? or prey?
Until the next showing
Great podcast Mark and Sacha .. Ibiza had terrible flooding last week didn't it 🤔